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September 2000

20 September 2000 | Retina Enlarger

“We Get Confessions” contains more typos than any book I have ever read. This is one of the many reasons I like it: one gets the feeling that it was written by a person who couldn’t care less about piddly stuff like grammar and spelling. I like that. Too many of us, myself included, care too much about piddly stuff like grammar and spelling. But not Lieutenant Albert Joseph Jr. No, what Lieutenant Albert Joseph Jr. cares about are bottom line issues such as what to do when a suspect begins crying during an interrogation. Here is what he has to say on the subject:

Crying is the best thing that can happen. In the majority of child abuse cases, sex cases, and homicides where the suspect cared for the victim, the suspect will usually cry before he confesses. By using these techniques I know that you will get suspects to cry. When the suspect starts to cry don’t make the MISTAKE of allowing him to gain his composure. You’ve got him where you want him. You have convinced him that he will feel better if he confesses so continue what you are doing. When he starts to cry he will probably have his head down but you will see the tears falling. Keep the same tone of voice but move in on him and touch his shoulder or hug him and tell him that you can understand how he feels. BUT continue the interview and very shortly he will tell you that he did it. When the suspect is crying it will take longer to get the details. He may sob during the rest of the interview but that is OK. Please don’t rush him because you’ve got him where you want him. This is what you have worked for. I love it when I see tears falling from the suspect because I know I’ve got him and a confession will be forthcoming very shortly.

Before I say anything else about Lieutenant Joseph or his book, I must confess that I love it when people use capitalization for emphasis. Yes, this technique is considered bad form, but I happen to enjoy it VERY MUCH. Lieutenant Joseph is a big-time capitalization guy, and so by my way of thinking he can do NO WRONG. It almost doesn’t matter WHAT he’s capitalizing, I simply marvel at his excessive and rather UNPREDICTABLE use of BIG LETTERS.

Okay, that said, this man is a genius of human psychology. I mean it. Not a make-it-so-complicated-that-people-don’t-know-what-you’re-saying genius, but an even-a-child-could-do-this genius. To give but one example, here is my hiaku-like summary of the Lieutenant’s technique for getting suspects to confess:

Treat kindly.
Downplay crime.
Place blame elsewhere.

What could be simplier? What could be more effective? Nothing!

Before Lieutenant Joseph was a cop, he was a vacuum cleaner salesman. When I first read this, I laughed – laughed rather loudly, in fact – but then as I read further, it stopped seeming so funny. Lieutenant Joseph himself considers the two professions identical in terms of the techniques necessary for success. As he puts it, capitalizing the entire sentence to show how important it is, “TREAT THEM WITH RESPECT + BULLSHIT THEM A LITTLE + GET THEM TO LIKE YOU = SELL THEM THAT VACUUM CLEANER OR GET THAT CONFESSION.

In short “We Get Confessions” is a treatise on how to DECEIVE and MANIPULATE people into admitting their wrongdoings. To ensure that the “DECEIVE and MANIPULATE” part is not lost on his readership (a readership of cops, I should say; the book was written for other cops), the good Lieutenant repeats a certain phrase over and over again throughout his book, almost like a mantra, drumming it into our skulls until we feel certain that we are going to EXPLODE from the CONSTANT PRESSURE. And what is this phrase? “WE NEVER TELL IT LIKE IT IS!

No, we do not. However, Lieutenant Joseph is careful to distinguish between LEGAL and ILLEGAL deception, and at no point does he advocate the latter. Still, it might surprise you to learn how much leeway cops have when it comes to the truth. Yes, although they cannot use threats, promises, or coercion to obtain a confession, nothing restricts them from simply LYING to people. Thus the classic ploy of telling the two suspects in a two-person job that the other confessed. But Lieutenant Joseph goes beyond the commonplace to introduce a level a creativity not often associated with law enforcement.

For example, here is Lieutenant Joseph’s account of how he and his colleagues employ what they call “suggestive evidence”:

One of the Investigators that works with me was interviewing a suspect in a robbery in which the suspect wore a mask. The victim was positive who the suspect was just from his voice. Of course that would not be enough to convict the suspect. There were ‘rinky dink’ cameras in the store that was robbed. The Investigator told the suspect that his voice had been positively identified by the victim. (That WAS true.) The Investigator then told the suspect that one of the cameras in the store was State of the Art and had a RETINA ENLARGER and his eyes had been positively identified, even though he wore a mask. (That WASN’T true.) The suspect confessed.

As well he should have. Anyone dumb enough to believe in a RETINA ENLARGER deserves to go to jail. The same can be said for the man who believed in the made-up science of Neutron Activation Analysis (I kid you not).

However, while tricking bad guys is all well and good, how do you determine who the bad guys are? After all, INNOCENT PEOPLE are sometimes brought in for questioning, and it your job to distinguish them the GUILTY. How are you to decide who is telling the truth and who is lying?

Glad you wondered. First you determine the suspect’s “baseline,” that is, how he or she answers when telling the truth, and then you ask some tough questions and watch for deviations, in particular NON-VERBAL deviations.

A certain “intimacy” between you and the suspect helps. Lieutenant Joseph conducts all his interrogations (he prefers to call them “interviews”) in a small plain room with the suspect facing the door (no thoughts of freedom). The Lieutenant sits just two to three feet away, and although there is a desk in the room, he never goes BEHIND that desk, as that would take the pressure off the suspect. The desk is a prop and is only used for eating and, if all goes well, the writing of the confession. Before entering the room, Joseph stands just outside the door and yells down the hall for an imaginary colleague to call his wife and tell her that he won’t be home for a VERY LONG TIME. He yells also that he has only one side of the story and he’s now going to talk to [insert name of suspect here] to get his side.

The Lieutenant rarely allows a second cop into the room, as suspects are more apt to confess to a single person. On entering the room, he always carries a folder filled with useless paper so that he can have something to point to when he says, “Listen, [insert name of suspect here], as it turns out we have positive NEUTRON ACTIVATION ANALYSIS that proves that you [insert crime here].”

This reminds me. Many years ago I was interrogated by several cops because… well, because they thought I was a bank robber. You see, I happened to be in a bank with friends while these friends were withdrawing money (this was before ATMs). To amuse myself in my boredom, I took to “acting suspicious.” This little performance (for that is how I thought of it) was staged entirely for the crusty security guard standing across the way. I can’t remember what the performance consisted of exactly; probably I just wandered around making nervous-seeming head movements. Anyway, I soon “lost myself” in the role, as actors do, and decided to write a robbery note. To say the least, this was a mistake. For as soon as I finished scribbling “This is a robbery” on a blank deposit slip, the crusty security guard had his hand on my shoulder.

No amount of explaining could convince this man that I was not in fact a bank robber. (It occurs to me now that one might view this as a compliment to my acting skills.) Instead he led me by the arm to a back room in which we awaited the arrival the police. To my surprise, they appeared in about thirty seconds.

I should say that this was one of the big banks in mid-town Manhattan, and so these cops were probably just a block or two away when the call came. They were soon followed by two more cops, and then two more. The four latecomers stood to the side while the first two asked some routine questions. I don’t count this as the interrogation. That began when the two detectives arrived.

I have told many lies in my life – in fact I consider myself an expert liar – but you must believe that what I am about to tell you is the truth. These two detectives, who I should say were considerably smarter and better looking than their street patrolling breathen, decided to play a game of “good cop, bad cop” with me. It was all I could do not to laugh. They recognized this, of course, and did not appreciate my half-concealed smiles. In fact, Bad Cop said that scum like me shouldn’t be allowed to walk the street. Or something to this effect. Whereupon Good Cop said that if I “played ball” with them, they’d go easy on me. I mean, THIS IS THE TYPE OF STUFF THESE GUYS REALLY SAID!

All this time, someone somewhere was checking if I had a record for bank robbery. I don’t have a record for ANYTHING; I’ve never even received a parking ticket. I knew this, but the detectives didn’t. I knew, too, that I wasn’t going to be arrested for “acting suspicious,” nor even for writing a note that said, “This is a robbery.” Writing such a note, while criminally stupid, is not a crime.

I have forgotten why I’m telling this story. Ah, yes, interrogation. The two detectives asked the same questions over and over, switching between mundane inquiries about me (employer, address, phone number, years in New York, etc.) and more pointed questions about the “incident.” Evidently they were trying to trip me into some sort of inconsistency. I don’t know if you’ve ever been asked the same questions over and over again, but after a while it begins to get annoying. Thus I took to reporting the number of times a particular question had been asked.

Looking back, it amazes me how DISMISSIVE and DISRESPECTFUL I was. But then in another way it makes sense, because I knew that these guys were WASTING THEIR TIME. They must have realized it, too, and this no doubt contributed to their annoyance.

In the chapter entitled TRUTH AND DECEPTION, Lieutenant Joseph provides some key “indicators” that reveal whether a person is being truthful. “A TRUTHFUL person,” he writes, “will be emphatic. He may bang on the table, may raise his voice, may TELL YOU that you are wrong, your witnesses are mistaken, your fingerprints are wrong…. [He] will exhibit anger when you accuse him of doing something that he did not do and he will stay angry for a long time. Even when you tell him to relax the anger will still be noticeable. HOW WOULD YOU ACT IF YOU WERE FALSELY ACCUSED??” A deceptive person will be considerably less emphatic. “[He] may show anger,” writes Joseph, “but it will be an act to see if he can get you to back off. He will calm quickly when you tell him to relax. When a person becomes angry while you are talking to him just tell him to relax and you will notice the difference between true anger and feint anger.”

I never became angry with my interrogators; I became snide. Had I actually committed some crime, or had planned to commit a crime, I never would have DREAMED of trying this. But of course in this case I wasn’t TRYING ANYTHING; I was telling the TRUTH, and that truth was RIDICULOUS and ABSURD.

Expert liar that I am, I will file this away for future use. When questioned (and guilty), remember to be disrespectful and dismissive of the questioner. If necessary, bang on something for emphasis. Do not relax when told to relax. And whatever happens, fear not the Retina Enlarger.

09 September 2000 | The Answer Is No

Mickle’s in town. Can’t reach anyone on the phone and keeps getting locked out of people’s apartment. Says visiting friends is a million times easier in Seattle. Contributes this: On some Simpson’s episode, a spoof of an X Files-like show, “Leonard Nimoy” comes on in the beginning and says something like, “Hello. I’m Leonard Nimoy. The story you are about to hear is true. And by ‘true’ I mean ‘false.’ Yes, lies are told, but they’re entertaining lies – and in the end, isn’t that what truth is? The answer… is ‘no.’”

06 September 2000 | Alfalfa

A friend wrote offering her earliest remembered lies. Both occurred in the play yard at her elementary school. She writes:

AlfalfaIt was a Catholic school, so I told these to other girls in the play yard. One, I told them that had I been born a boy, my parents were going to have named me Alfalfa. (This was during a period of high interest in The Little Rascals – I have been besotted with nostalgia from a very young age.) Two: I was hanging out behind the Catholic Charities box, drawing in the dirt, trying to have some down time, and some other kid came over and interrupted. I told her I had to be alone because my aunt had died.

I’m not an every day utility liar. My lies tend to be part of more fanciful schemes or wishes. For example, once with a friend, we convinced a boy that she was identical twins. She would appear in one or the other of the persona, sometimes changing outfits and showing up twice in the same day.

06 September 2000 | The Sweetness of Candy

It’s been a while. I don’t even want to go into why. Actually, I will. A trusted friend compared CROWBAR to… wait, I’ll go check what he said.

I’m back. He compared it to reading the comics or sports section. Quote: “It’s like the sweetness of candy which doesn’t fill.” Ouch. Later he wrote, “Part of this is my general feeling that the internet is not really ideally suited for substantial communication, but is great for superficial instancy.”

It’s all true. And I was half-thinking it myself as I worked on CROWBAR. But I was also enraptured by the thought of writing and publishing my own little journal, one dedicated to the things I find interesting. I’ve always wanted to do this, and the internet has given me the means.

But then I got wrapped up in making it a daily thing, in part (I hate to admit this) because I figured I’d get more hits that way. If people liked what I wrote, they would come back EVERY DAY to see what new stuff I’d cooked up. Naturally, this added to the superficiality.

So I’ve returned to my less superficial, less instant, novel-in-process. Not that I’ve given up CROWBAR entirely; it’s just gone from a daily to a… whenever-I-feel-like-it. For better or worse. Well, for better, I think.